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Apenas descrições de nível superior Visual Arts√
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JD MacFarlane Photograph Collection

  • MG 307
  • Fundo
  • 1914-1920

This collection includes 7 original photograph albums, primarily documenting life overseas for Canadian servicemen during World War I. In addition to the military images are photographs of the Canadian west, including the Better Farming Train, fairs and livestock exhibitions, and early images of Banff, the Rockies, and Vancouver.

Sem título

Robert Newton Hurley Collection

  • MG 482
  • Fundo
  • 1894-1978 (inclusive); 1938-1978 (predominant)

The Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him. It also includes his diaries and “memories” or memoirs.
The Hurley Collection contains many pieces of finished and unfinished artwork by Hurley, particularly landscapes as well as other sketches and experimental works. It contains his diaries and memoirs as well as correspondence which discusses his life and his artwork.

Sem título

Shirley Serviss fonds

  • MG 617
  • Fundo
  • nd, 1975-1992 (inclusive)

This fonds contains correspondence from Reta Cowley, and John Hicks. The Cowley correspondence in part, discusses her painting process; and the Hicks correspondence discusses the Saskatchewan writing scene (particularly Prince Albert); his publications and awards, and his ideas about writing.

Sem título

Hurley / Westcott Collection

  • MG 554
  • Fundo
  • 1937-1980 (inclusive); 1971-1980 (predominant)

The Westcott-Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him.

Sem título

Robert Calder and Holly Borgerson Calder fonds

  • MG 418
  • Fundo
  • 1910-2015 (inclusive); 1970-2010 (predominant).

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

Sem título

Maurice Yacowar collection

  • MG 430
  • Fundo
  • 1968-2006 (inclusive); 1972-1980 (predominant)

This is a collection of Yacowar’s art auction catalogues, predominantly for European and American art, ranging from the Old Masters to contemporary, representing a variety of mediums. Several of the catalogues include final price lists from the auctions.

Sem título

Moose Jaw Air Training Base 1941 Photographs

  • MG 489
  • Fundo
  • 1941-1942

This small collection consists primarily of photographs depicting life on the base as well as travels to other destinations in Canada, including Banff, Alberta, and Regina SK. A felt “Moose Jaw Millers” badge is also included.

Sem título

Tappert Strack/Lindner Collection

  • MG 506
  • Fundo
  • [ca. 1927]–1979

This collection contains Christmas cards, notes and letters, ephemera and clippings sent from Ernie to Johanna over a period of years. A small amount of material is from J.W.T. Spinks.

Sem título

Don McNamee fonds

  • MG 141
  • Fundo
  • 1954-1993 (inclusive) ; 1968-1993 (predominant)

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

Sem título

Dennis Walter Harley fonds

  • MG 639
  • Fundo
  • 1902-1991 (inclusive); 1950-1981 (predominant).

This fonds documents the teaching career and private interests of Dennis W. Harley. It contains film, audio tapes, publications by Harley, reference material, correspondence, sketches and photographs.

Sem título

Logan-Wickenden fonds

  • MG 630
  • Fundo
  • 1954-1990.

This collection of correspondence was predominantly written by Horace Wickenden (one note was written by Margaret Wickenden) to friends Ivan and Marjorie Logan. The letters reflect Wickenden’s views on current events, both global and national, with some emphasis on Canadian politics. In them, he also discusses books he has read; philosophy; reflects on teaching and education; and to some extent, relates daily activities and events in his life and that of his family. Very little discussion of art and painting are in the letters, although these, too, are occasional topics: particularly with regard to Robert Hurley, an artist Wickenden clearly admired.

Sem título

Beamish / Kenderdine Family fonds

  • MG 215
  • Fundo
  • 1909-1990

This fonds contains correspondence, cards, and published materials owned by various members of the Kenderdine / Beamish families.

Sem título

M.L. Perron collection

  • MG 220
  • Fundo
  • [ca. 1962]-1974

This collection contains original works of art, photographs, and documentation relating to classes Ms. Perron took at the University of Saskatchewan, notably fine art classes. Her professors included Bill Epp, Otto Rogers, and Eli Bornstein; her classmates included Bob Christie and Doug Bentham.

Sem título

Educational Media Access and Production (EMAP) fonds

  • RG 2024
  • Fundo
  • 1966-1997

This fonds contains correspondence, memoranda, reports, and published material relating to the administration and activities of the Division.

Sem título

Keith Ewart Photograph Collection

  • MG 259
  • Fundo
  • 1885-2009 (inclusive), 1977-2009 (predominant)

This collection includes images Keith Ewart has taken of structural landmarks, particularly in Saskatchewan, but also from all across Canada. Also, there are glass plates from a Moose Jaw photographer ca. 1915-1920. The collection also contains some images that were not taken by Ewart, but were collected by him.

Sem título

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