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H.D. "Howdy" McPhail Photograph Collection

  • MG 402
  • Collection
  • 1949-1973 (inclusive) ; 1955-1960 (predominant)

This collection includes Howdy McPhail’s aerial photographs, predominantly of individual farms and views of towns and cities. Some images are of specific landmarks, scenic views, or fauna. All images are identified and a majority are dated. A second accrual contains examples of printed calendars and postcards that were sold by McPhail, as well as some correspondence and other business documentation. Images used in an exhibition curated by Helen Marzolf were added in 2018. Further accruals of correspondence, order forms, negatives and prints were interfiled in Series B.

Sans titre

Logan-Wickenden fonds

  • MG 630
  • Fonds
  • 1954-1990.

This collection of correspondence was predominantly written by Horace Wickenden (one note was written by Margaret Wickenden) to friends Ivan and Marjorie Logan. The letters reflect Wickenden’s views on current events, both global and national, with some emphasis on Canadian politics. In them, he also discusses books he has read; philosophy; reflects on teaching and education; and to some extent, relates daily activities and events in his life and that of his family. Very little discussion of art and painting are in the letters, although these, too, are occasional topics: particularly with regard to Robert Hurley, an artist Wickenden clearly admired.

Sans titre

Gordon Snelgrove fonds

  • MG 553
  • Fonds
  • 1950-1962

Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.

Sans titre

Lillian A. Williamson fonds

  • MG 678
  • Fonds
  • 1912-1922

This fonds contains two black and white photo albums which hold ~100 photographs, of which about 30 are of U of S student life in the 1918-1920 era. The rest are of White Rock area in BC as well as one full album of photographs from travel in Europe.

Sans titre

William G. French Poster Collection

  • MG 297
  • Fonds
  • 1940-1941

These posters document some of the social activities available to students during the 1940-41 regular term. All are hand-made and most are the work of students Jim Quong and A.B. Farnam.

Sans titre

University of Saskatchewan Photograph Collection

  • RG 2104
  • Fonds
  • [ca. 1800s]-2000, predominant 1912-1980

The Photograph Collection consists primarily of images documenting the growth and development of the University of Saskatchewan. Images of faculty, students, staff, alumni, buildings, equipment, and various events and activities constitute the majority of the collection.

Sans titre

John Reeves fonds

  • MG 276
  • Fonds
  • 1962-1998 (inclusive); 1974-1977 (predominant)

This fonds contains images of Canadian women of achievement; most were taken during the celebration of the International Year of the Woman (1975) and formed part of the exhibition, "30 Portraits of Women."

Sans titre

Hans Dommasch fonds

  • MG 172
  • Fonds
  • 1914-2002 (inclusive) ; 1946-2002 (predominant)

This fonds documents Dommasch's career as a medical and artistic photographer and educator. This photographic material covers a wide range of subject matter, with particular emphasis on medicine, natural history, the Canadian arctic, and grain elevators. Considerable reference material, relating to the history of photography as a science and an art, is also included. In addition, this fonds contains Dommasch's extensive collection of posters, including those used for the exhibition, "Posters Against War and Violence." This fonds contains correspondence, clippings, notes, certificates and awards, photographs, slides, sketches, posters, films and publications documenting the interests and career of Hans Dommasch.

Sans titre

Zepp-Varga Collection

  • MG 559
  • Fonds
  • [ca. 1940s] – 2015 (inclusive); 1981-2003 (predominant)

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

Sans titre

Kate Hodgson fonds

  • MG 494
  • Fonds
  • nd.

This fonds contains Kate Hodgson’s “The Twelve Stacks of Christmas,” a series of illustration in acrylic on canvas, created in 1998 as a Christmas gift to the student assistants who reshelved books in her branch.

Sans titre

Maurice Yacowar collection

  • MG 430
  • Fonds
  • 1968-2006 (inclusive); 1972-1980 (predominant)

This is a collection of Yacowar’s art auction catalogues, predominantly for European and American art, ranging from the Old Masters to contemporary, representing a variety of mediums. Several of the catalogues include final price lists from the auctions.

Sans titre

Beamish / Kenderdine Family fonds

  • MG 215
  • Fonds
  • 1909-1990

This fonds contains correspondence, cards, and published materials owned by various members of the Kenderdine / Beamish families.

Sans titre

Hans Gruen fonds

  • MG 116
  • Fonds
  • [ca. 1880s]-2000 (inclusive) ; 1952-1996 (predominant)

This fonds contains materials relating to Gruen's academic research in applied mycology and botany, and documents his personal interest in Japan, in philately, and on the uses of fungi as tinder for early methods of fire making. It contains personal correspondence, including diaries; as well as material documenting his early life and education.

Sans titre

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