This series consists of two Visitor Books signed by those visiting the War Services Club and a volume that recorded requests of servicemen and hosts to arrange hospitality, meals, and board on certain occasions from 1940 to 1944.

This series contains meeting minutes, by-laws, and declarations. It includes descriptions of the organization’s various committees as well as their reports received by the executive committee. It also contains one rubber stamp that reads: 'Moose Jaw War Co-Ordinating War Services Council / Chairman or Vice Chairman/ Treasurer’. The stamp appears on various reports throughout the series and fonds.

Group photo of participants of Saskatoon Junior Clubs Annual Inter-Club Competition. Taken in the Bowl with Physics, College Building and Saskatchewan Hall in background.

This fonds contains correspondence, publications and artworks relating to the work of Nik Semenoff, in particular documenting his numerous innovations relating to safer printmaking processes and the waterless lithographic process.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.