This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

This fonds contains records mainly related to Sylvia’s time as Lieutenant Governor, with correspondence, invitations, clippings, photographs and memorabilia. It also includes documents from her career as a physicist including correspondence, notes, and clippings. Clippings, photographs, and correspondence relating to Sylvia’s involvement in sports is included – predominantly curling and golf, but also fishing, baseball, basketball, and track and field. There is extensive photography and other materials documenting her travels around the world, as well as gatherings with friends and family.

The fonds includes paintings, sketches and memorabilia relating to the artistic pursuits and output of Olena (Sherven) Smith; and material relating to Tom Smith’s careers and interests, particularly archaeology and local history, as well as engineering and farming, including documentation of his job on the engineering crew for the Alaska Highway.

This fonds contains materials created or collected by R.H.D. Phillips, particularly during his tenure with the Saskatchewan Wheat Pool. In particular, it contains extensive materials documenting the work of the Research Division, including specific issues relating to their internal communications, and transportation issues. Additionally there is documentation relating to the running and operations of the Western Producer, Modern Press, and Western Producer Publishing. Also included are records relating to the establishment and demise of St. Stephen’s Church in Regina, a variety of genealogies compiled by Phillips, documents pertaining to Tanyss Phillips's work with the Royal Commission on Agricultural and Rural Life, and documents relating to post-secondary education in Saskatchewan.

The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.

This fonds consists of records created, accumulated and used by Margaret (Fiji) Robinson in her career as a vocalist and performer in the musical revues The Quinlan Sisters (comprised of Robinson, Peter McGehee and Wendy Coad) between 1981 and 1984, and The Fabulous Sirs (Robinson and McGehee) between 1987 and 1990 in Saskatoon, Saskatchewan and Toronto, Ontario.

It also includes records created, accumulated and used by Robinson between 1990 and 2007 in the development of a book proposal and subsequent film proposal on her career as a performance artist working with writer/director Peter McGehee. Research and notes for the online GLBTQ On-Line Encyclopedia entry for McGehee's life partner, human rights activist Douglas Wilson, are also included.

It also includes records created, accumulated and used by Robinson in 2008 and 2009 in the course of producing Painted on the Spot: On the Road with Ernie Luthi, a documentary about Ernest Luthi (1906-1983), an artist from Punnichy, Saskatchewan.

The types of records included are research notes, drafts of written works, clippings, programmes, posters, song lyrics, music scores, photographs, budgets, grant applications, curricula vitae, drawings, photocopies of correspondence to Ernest Luthi, a CD-ROM and an audio cassette recording of The Fabulous Sirs in concert at the 1988 Edmonton Fringe Theatre Festival.

This fonds contains materials primarily related to Richard Sweet’s interest and research into the history of brewing. There are extensive materials relating to Canadian and western US breweries; beer companies; and beer-related materials, including magazines, newsletters, other published reference material, and collectibles (predominantly, posters, labels and mats). It includes Richard Sweet’s extensive notes, and his research materials leading to his publications, The Directory of Canadian Breweries (first and second editions); Malted Manitoba; and Brewed Right on the Prairies: 122 Years of Brewing in Saskatchewan.

This fonds documents the career and interests of Glenis Joyce. The material regarding the Extension Division shows the growth and evolution of the Women's Program. Much of the material in the fonds deals with equity issues at the university and in society in general and includes pay and employment equity, affirmative action, women's rights and academic freedom. Joyce chaired the transformative President’s Advisory Committee on the Status of Women in the 1990s.

The fonds includes medals and other awards received by Henry Taube, including the Nobel Prize, National Medal of Science, Priestly Medal, etc. as well as plaques, certificates and other memorabilia. Textual material covers several career highlights, including correspondence from Canadian universities in 1940 and subsequent job applications and offers; biographical material including oral history interviews; material relating to Luther College, including a post-Nobel congratulatory note from an influential teacher; articles by Taube and others explaining Taube’s scientific contributions; clippings and other material relating to awards, especially the Nobel Prize; and other material. Some material, particularly relating to Taube’s death, was added to the fonds by his widow Mary Alice Taube; this material includes obituaries from several newspapers, condolence letters and cards, and material relating to the memorial service at Stanford. Photographs include documentation of the Nobel Prize ceremony, including the presentation by King Carl Gustaf; other award ceremonies; international trips including to Japan, China and Taiwan as a visiting lecturer; informal photos from various years; formal portraits and head shots; giving lectures and with students; colleagues from Stanford including fellow Nobel laureates; and more.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

This fonds contains the drafts, notes, and reference materials relating to Cherwinski’s research on prairie labour and history. It has been organized into 9 series:

1. Personal
2. Letters to Albert: The Main Family Correspondence from Saskatchewan, 1908-1925.
3. Prairie Farm Labour
4. Research – Various
5. Saskatchewan Organized Labour
6. Schwinghamer General Store
7. Winter on the Prairies: 1906-1907
8. Posters
9. Library

This collection contains books, magazines, and a variety of ephemera associated with themes of Canadiana, advertising, keys, locks, and locksmithing, mysteries, socialism, sex and gender, science fiction, western living, adventure.

This fonds consists of materials used, created, and accumulated by the Westlund and McAusland families. The majority of the material consists of financial records related to the farming operations of Arthur Westlund and Clarance McAusland near Brownlee and Melfort, Saskatchewan respectively. Although broadly speaking, the story of agriculture in Saskatchewan is well known – cyclical environmental factors, changes in product prices and markets – this fonds provides evidence of the impact of those changes on the lives of a single family, over decades. How that family interacted within the local community is also revealed in terms of how and where they spent their income. The source material, in farm account books, vendor receipts, property tax assessments, banking and investment records, income tax returns, crop insurance documentation, and other materials generated from the farming operations, provides direct evidence of farm and community in the lives of one farm family over generations. In addition to the farming records, there is a small amount of correspondence, family memorabilia, ephemera, and artifacts. The fonds includes some material related to the Saskatchewan Liberal Party as the McAuslands were members of the party for a number of years. The fonds also includes records related to the operation of the Royal Winter Snow Plow Club, of which Clarance McAusland was a member. There is also a small collection of publications which are largely related to agriculture.

This fonds contains materials relating to the professional activities of Grant Wood, including papers he has presented at conferences, and his work in the Canada Mongolia Training for Rural Development Project. Also included are some of his early teaching materials, and materials collected on subjects related to his field.