Fonds consists of personal, professional, and literary papers of Canadian poet and writer, Patrick Lane. While the arrangement differs among the various accessions, in general the records fall into the following series: Correspondence (1941, 1961-1994); Drawings and Sketches (1971-1972, 1977, 1983); Photographs ([194__], 1949, 1951, 1960-1994); Publications By/Featuring Patrick Lane (1966-1994); Publications By/Featuring Others (1967-1991); Audio-Visual Materials (1977-1993, many undated); Writings By Patrick Lane (1963-1994, many undated); Writings By Others (1961, 1971-1994, many undated); Financial Records (1978-1990); Personal Files (1946-1956, 1969-1994); Professional Activities (1977-1994); Professional Associations (1970, 1976-1990); and Red Lane (1962-1964). Of particular note is Lane's extensive correspondence with cultural and educational institutions, colleagues, family and friends, government agencies, media, publishers, and the many writers and poets who sought his advice about their work. Also included are notes, drafts, and manuscripts of the many articles, journals, poems, reviews, short stories, speeches, and radio scripts written by Lane, along with a nearly-complete set of his published works. The fonds also contains sound and video recordings of radio programs, readings, and interviews with Patrick Lane, Lorna Crozier, and other writers, and photographs depicting Lane, Crozier, family, friends, travel subjects, homes, literary events, and scenic shots. Files relating to Lane's professional functions as a writer, editor, and juror include documentation relating to conferences and festivals, workshops, grant applications, radio contracts, appraisals, readings, talks, and writer-in-residence positions. Files pertaining to his work with the League of Canadian Poets and other professional associations with which he was affiliated are also present. Poetry written by Patrick's father, 'Red' Lane, and 'Red''s correspondence with his wife, Elaine, (1962-1964) are also found in this fonds.

Fonds consist of 13 photographs of Roy Kiyooka, Jack Shadbolt, Ron Bloore, Ken Lochhead, Doug Morton and Mickey Morton at Emma Lake, Sask. The photos were taken in October, 1989.

Fonds consists of personal papers created by chemistry professor, Dr. Owen Holmes. The bulk of the material consists of correspondence and other records relating to the University of Regina Chemistry Department, to several university committees on which Dr. Holmes served, and to professional organizations with which he was associated.

Fonds consists of statistics, student papers, annual reports, memoranda, publications, and photographs relating to athletic programs at the University of Regina. Of particular interest is a series of portraits, game action shots, and group shots of Cougar hockey teams, 1974-1984, as well as hockey career scoring statistics, 1976-1984. The fonds also contains a small series of files pertaining to sport and athletic organizations with which Reg Higgs was associated.

Fonds consists of personal and professional papers of physicist, Dr. Len Greenberg. Arranged in six series (Len Greenberg; Department of Physics and Astronomy; University of Regina; Professional Associations; Students; and Other Material), the records include general correspondence, Curriculum Vitae (1972), teaching materials, class evaluations, examinations, photographs, committee files, reports, pamphlets, and other records relating to Dr. Greenberg's activities as Professor of Physics and Astronomy at the University of Regina and its predecessor institutions.

Fonds consists of personal papers of publicist and administrator Lyn Goldman,1962-1992. The records have not been processed.

Fonds consists of printed material relating to the artistic career of David Gilhooly, 1969-1995. The records are arranged in four series: Biographical Information; Newspaper Clippings, Gilhooly and Art, Exhibitions; Catalogues, Exhibition Invitations featuring David Gilhooly; and Publications featuring David Gilhooly.

Fonds consists of the personal papers of Philosophy Professor, Dr. David A. Givner, 1965-1993. Included are research notes and papers, committee files, department minutes, examinations, syllabi, lecture notes, administrative files, as well as notes pertaining to his Ph.D. studies at Columbia, ca. 1952-1957.

Fonds consist of administrative papers (89-5 and 90-56), student records (89-5) and papers relating to the Emma Lake Artists' Workshops (89-5 and 90-56). 89-5 includes administrative papers from the Dept of Drama. 89-5 contains 31 photographs: b & w; 25 x 21 cm and smaller. 90-56 contains 4 photographs: b & w; 25 x 21 cm and smaller.

Fonds is composed of more than one accession. 89-5 consists of administrative correspondence, various class descriptions and papers from the Dept of Visual Arts. 91-27 consists of administrative papers from: the Dept of Drama, Norman Mackenzie Art Gallery, Division of Fine Arts, and the Regina Symphony Orchestra. 124 photographs and 5 architectural drawings are also included.

Fonds consists of personal papers documenting Les Crossman's career as an English professor, writer and lecturer. Arranged in twelve series (Biographical; Clippings; Correspondence; Educational; Financial; Governmental; Miscellaneous; Professional and Other Organizations; Universities; Writings, Speeches, Performances and Research; Photographs; and Sound Recordings), the bulk of the fonds is made up of Dr. Crossman's wide-ranging correspondence with various individuals and organizations. Of particular interest is the extensive personal correspondence with family, colleagues, friends and acquaintances, and students, as well as a series of his articles and speeches, which provide insights into Dr. Crossman as a teacher, a scholar, and a friend.

Fonds consists of six series: Coteau Books; Other Publishers; Professional Organizations; Government, Business and Industry; Caragana Records; and Thunder Creek Publishing Co-operative. The records reflect the growth of Coteau Books from an arm of a small co-operative run by its members to an established publisher with three employees. Of special note is the large quantity of manuscripts in various stages of production.

Fonds consists of papers, slides, and sculptural maquettes covering a number of commissions and art pieces which Vic Cicansky completed over a twenty year period, from 1969 to 1989. They include maquettes and sketches for "The Old Working Class," and the "New Working Class" commissions, as well as several smaller pieces. The wall sculpture entitled "The Garden Fence," now in the Canadian Broadcasting Building in Regina, is also featured in this collection. Slides take the researcher through the step-by-step processes employed by the artist in creating his sculptures. There is a working sketch, a sample title, a miniature wall, the photographs of the final sculpture as evidence of these processes. This fonds includes the papers of fellow artist, David Zack.

Fonds consists of records relating to Dan A. Cameron's activities as a teacher of voice at the Regina Conservatory of Music, writer, adjudicator, and concert performer. It includes personal correspondence, invitations, financial information, and military records. Arranged in four series (Conservatory of Music, Personal, Photographs, and Programs), the records reveal the full extent of his vocal activities in Regina and in Canada. Of particular interest are files documenting Cameron's extensive affliations with numerous local music organizations, and a collection of programs for various musical performances at the University of Regina's Darke Hall, and other venues. Included in these programs is one for the Gracie Fields concert in 1940. The records also contain a series of personal photographs, many unidentified, depicting Cameron, social events, local scenes, and travel views of European locales. Among the military records, the Roster Book, 2nd Battalion, Canadian Expeditionary Forces (c1918), provides significant genealogical information about members of the Battalion.

Fonds consist of personal papers documenting the artistic and teaching career of Claude Breeze. The records are arranged in nine series: Art Works, Drawings, Sketches and Sketchbooks; Calendars and Diaries; Correspondence; Personal Financial Records; General Files; Newspaper Clippings; Photographs; Publications; and Scrapbooks. These papers, and in particular the wealth of sketches, drawings, and photographs included in the fonds, trace in detail the development of Breeze's art from his first works produced in the early 1950's to 1969 and beyond. A rich collection of correspondence, photographs, publications, and publicity materials reveals a generation of Canadian artists, poets, and writers who were strongly influenced by the 1960s. Also included is correspondence with Canadian public and commercial art galleries and with Breeze's patrons, Dr. Ken and Joyce Morton of Vancouver.