The fonds includes material documenting William Deverell’s career primarily as a writer and a lawyer. Among other material, included are research and drafts relating to most of his books and screenplays; other writing; documents re court cases, particularly those used as background for books and screenplays (including the CBC series Scales of Justice); records relating to The Writers Union of Canada; material relating to early activities including newspaper articles written by Deverell and clippings etc. relating to his election campaigns and trials he was involved in; videocassettes of his films Shellgame and Mindfield; correspondence with agents, publishers, producers, fans, etc., and other records relating to the publication and promotion of his books and films; and professional and personal correspondence with Carol Shields, Marian Engel, Margaret Atwood, Susan Musgrave, Stephen Reid and others.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

Student ephemera from 1940-1952. Including crests, pamphlets, student election ballots (Sylvia Fedoruk), dance and event pamphlets, student directories, student cards, etc.

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

This fonds contains Professor Eager's files on the Alumni Association, Faculty Association, Canadian Committee on Counselling for Engineering, and radio broadcasts for "The World of Chemistry," as well as personal correspondence and lecture notes. In addition, there are several research files on uranium, lignite, kinetics, silicates, and radiation chemistry.

This fonds contains materials relating to Beach’s academic career and interests in psychology, human behaviour, and counseling; as well as material relating to World War II, conflict in general, and behaviour under various forms of stress.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

This fonds contains correspondence, clippings, financial fonds, reports, and notes pertaining to the activities and interests of R.C. Carter.

This collection includes Howdy McPhail’s aerial photographs, predominantly of individual farms and views of towns and cities. Some images are of specific landmarks, scenic views, or fauna. All images are identified and a majority are dated. A second accrual contains examples of printed calendars and postcards that were sold by McPhail, as well as some correspondence and other business documentation. Images used in an exhibition curated by Helen Marzolf were added in 2018. Further accruals of correspondence, order forms, negatives and prints were interfiled in Series B.

The contents of this fonds is primarily drafts and clippings of articles and editorials by Margaret Weiers. The fonds also includes the first draft of manuscript Against The Odds which became Envoys Extraordinary: Women of the Canadian Foreign Service, published by Dundurn Press in 1995.

This fonds reflects Holmlund’s interest in the philosophy of education, his varied career at the University of Saskatchewan, and his concern for an equitable society. It is particularly valuable as a source for university history, specifically for the period of Leo Kristjanson’s tenure; and for issues surrounding health delivery, education, and the College of Medicine; the development of computer / IT services on campus; and First Nations educational opportunities. As a reflection of planning at a post-secondary U-15 institution, this fonds is particularly strong, notably for the materials surrounding the Issues and Options project.

This collection contains considerable material relating to aviation history, particularly in western and northern Canada, including material on: the Keng Wah Aviation School for Nationalist Chinese pilots; the RCAF; illustrations of the technology of flight; reference material; and microfilms of the Hudson Strait Expedition fonds (1927-1928) and "The Bulletin" (Western Canada Airways, 1929-1937). Additionally, there is material on Tweddell's other research interests, notably aerial mapping and surveying.

The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.

The material in this fonds deal with Glaze’s life including school and extracurricular interests as a youth and later as a journalist, fiction writer, editor and educator.

This fonds contains administrative files from the department of Biology, various grant applications, and material concerning Professor Naylor's involvement with the Genetics Group, the Saskatchewan Health Research Board (specifically concerning radiation), and the Royal Society. There are also several data books and statistical reports from Naylor's research with wild oats, Kochia scoparia, Setcreasea purpurea, and Aspergillus. In addition, there is a considerable amount of correspondence with colleagues M. Lakshmanan, M. Jast, S. Jana, B. Henderstein, E. Hutchinson, W. Newcomb, S.C. Price, G. Setterfield, M. Shaw, R. Tobin, J. Woodard, M. Black, and S. Achary. It also contains a copy of Naylor's thesis, "The Control of DNA Synthesis and Bud Inhibition through Plant Growth Substances," along with some of his published and unpublished manuscripts.