Área de título y declaración de responsabilidad
Claude Breeze fonds
Tipo general de material
Otra información de título
Título declaración de responsabilidad
Nivel de descripción
Código de referencia
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Área de descripción física
2.52 m of textual records of art
306 works of art
306 works of art
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Claude Breeze is a painter of national repute. Born in Nelson, BC in 1938, he spent his childhood in Saskatoon living with his grandparents. In high school he was taught by artist Ernest Lindner, and received a Certificate in Arts from the University of Saskatchewan, Regina College, where he studied under Ron Bloore, Roy Kiyooka, Ken Lochhead and Art McKay. In 1959 he moved to British Columbia to attend the Vancouver School of Art, then joined the Medical Illustration Department sat the Vancouver General Hospital. Vancouver in the sixties was a mecca for artists, poets, writers, and musicians and Breeze and Ardis Watson, whom he married on February 5, 1969, collected a lively group around them, including artist Brian Fisher (who had also attended Regina College), poet John Newlove, photographer Fred Herzog, and musician Barry Hall. Breeze has worked as an instructor at Simon Fraser University (1967), the Banff Centre School of Fine Arts (1972), the University of Calgary (1975), and the Emily Carr School of Art in Vancouver (1988). He was Artist-in-Residence at the University of Western Ontario in London from 1972 to 1975. In 1976 he was appointed Associate Professor of Art at York university in Toronto where he remains. Claude Breeze, under the sponsorship of Vancouver painter Jack Shadbolt, held his first one-man show 'Lovers in a Landscape' at New Design Gallery in Vancouver in 1965. Since the he has had many one-man shows from coast to coast in Canada, and in Paris, France. He has participated in numerpus group shows across Canada and in the United States, England, France and Scotland. Claude Breeze's paintings have been purchased by galleries and universities all across Canada and by several major Canadian corporations. He has been awarded commissions for the Bank of Nova Scotia; Pacific Centre Mall, Vancouver, British Columbia; the Lawrence West Subway Station; the Spadina Line of the Toronto Transit Commission (1977); and the London Court House in London, Ontario (1974). Articles relating to his work have been published in various art magazine and books, in Canada and the United States. He was elected to the Royal Canadian Academy of Arts in 1974 and was awarded the Queen's Silver Jubilee Medal in 1978.
Historial de custodia
Alcance y contenido
Fonds consist of personal papers documenting the artistic and teaching career of Claude Breeze. The records are arranged in nine series: Art Works, Drawings, Sketches and Sketchbooks; Calendars and Diaries; Correspondence; Personal Financial Records; General Files; Newspaper Clippings; Photographs; Publications; and Scrapbooks. These papers, and in particular the wealth of sketches, drawings, and photographs included in the fonds, trace in detail the development of Breeze's art from his first works produced in the early 1950's to 1969 and beyond. A rich collection of correspondence, photographs, publications, and publicity materials reveals a generation of Canadian artists, poets, and writers who were strongly influenced by the 1960s. Also included is correspondence with Canadian public and commercial art galleries and with Breeze's patrons, Dr. Ken and Joyce Morton of Vancouver.
Área de notas
Origen del ingreso
Original order not deemed usable.
Idioma del material
Escritura del material
Ubicación de los originales
Disponibilidad de otros formatos
Restricciones de acceso
Open for research. Two files of confidential material in Accession 96-26 are restricted.
Condiciones de uso, reproducción, y publicación
Copyright retained by the donor.
Instrumentos de descripción
Inventories for 87-94 and 96-26 are available.
All 306 art works are oversize. Fonds includes 18 additional oversize items.
Área de número estándar
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
- Breeze, Claude (Criação)